From iconic director Pedro Almodóvar, Bitter Christmas tells two alternating stories one starring Elsa, an advertising director, in 2004, during a long weekend in December.The second takes place in 2026 and follows Raúl, a screenwriter and director who is writing a script.

His script, we soon discover, is the story of Elsa and those around her.  Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought.

He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant.

The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories.

Misaki Watari (Toko Miura), a taciturn young woman assigned by the festival to chauffeur him in his beloved red Saab 900.

As the production’s premiere approaches, tensions mount amongst the cast and crew, not least between Yusuke and Koji Takatsuki, a handsome TV star who shares an unwelcome connection to Yusuke’s late wife.

Forced to confront painful truths raised from his past, Yusuke begins, with the help of his driver, to face the haunting mysteries his wife left behind.

Adapted from Haruki Murakami’s short story, Ryusuke Hamaguchi’s Drive My Car is a haunting road movie travelling a path of love, loss, acceptance, and peace. Winner of three prizes at the 2021 Cannes Film Festival, including Best Screenplay.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

THE DEATH OF ROBIN HOOD is a darker reimagining of the classic Robin Hood tale.

Set of its time, the film sees the title character grappling with his past after a life of crime and murder; a battleworn loner who finds himself gravely injured after a battle he thought would be his last.

In the hands of a mysterious woman, he is offered a chance at salvation.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

From iconic director Pedro Almodóvar, Bitter Christmas tells two alternating stories one starring Elsa, an advertising director, in 2004, during a long weekend in December.The second takes place in 2026 and follows Raúl, a screenwriter and director who is writing a script.

His script, we soon discover, is the story of Elsa and those around her.  Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought.

He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant.

The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories.

Misaki Watari (Toko Miura), a taciturn young woman assigned by the festival to chauffeur him in his beloved red Saab 900.

As the production’s premiere approaches, tensions mount amongst the cast and crew, not least between Yusuke and Koji Takatsuki, a handsome TV star who shares an unwelcome connection to Yusuke’s late wife.

Forced to confront painful truths raised from his past, Yusuke begins, with the help of his driver, to face the haunting mysteries his wife left behind.

Adapted from Haruki Murakami’s short story, Ryusuke Hamaguchi’s Drive My Car is a haunting road movie travelling a path of love, loss, acceptance, and peace. Winner of three prizes at the 2021 Cannes Film Festival, including Best Screenplay.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

THE DEATH OF ROBIN HOOD is a darker reimagining of the classic Robin Hood tale.

Set of its time, the film sees the title character grappling with his past after a life of crime and murder; a battleworn loner who finds himself gravely injured after a battle he thought would be his last.

In the hands of a mysterious woman, he is offered a chance at salvation.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

Matilda Wormwood (Mara Wilson) is a gifted young girl, forced to put up with a crude, distant father (Danny DeVito) and mother (Rhea Perlman).

Worse, Agatha Trunchbull (Pam Ferris), the evil principal at Matilda's school, is a terrifyingly strict bully.

However, when Matilda realizes she has the power of telekinesis, she begins to defend her friends from Trunchbull's wrath and fight back against her unkind parents.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

A spectacular cinematic event for fans of classic science fiction, this Space: 1999 double bill brings together the groundbreaking first episode, Breakaway, and the acclaimed second-season opener, Metamorph.

Featuring ground-breaking visual effects, profound questions, stellar cast and action! All in the unmistakable style of Gerry and Sylvia Anderson, these two landmark episodes mark the beginning of the journey and the beginning of a new era of science-fiction.

Making their worldwide debut in stunning 4K UHD, both episodes have been meticulously restored from the best surviving film elements in collaboration with leading restoration specialists.

Presented with breathtaking picture quality and enhanced audio options including the original mono soundtrack and a newly remixed 5.1 surround sound experience, this is Space: 1999 as it has never been seen or heard before.

Witness the catastrophic chain of events that hurls the Moon out of Earth's orbit in Breakaway, before embarking on a thrilling new chapter in Metamorph, where the crew of Moonbase Alpha encounters a mysterious alien world and a lifeform unlike anything they have ever seen.

Together, these two episodes celebrate the scale, imagination, and enduring legacy of one of television's greatest science-fiction series.

Breakaway (50mins)

When a series of devastating explosions erupts across the Moon's nuclear waste disposal sites, Moonbase Alpha is plunged into chaos.

As Commander John Koenig and his crew struggle to contain the disaster, a catastrophic blast sends the Moon hurtling out of Earth's orbit and into the depths of space. Cut off from home and facing an uncertain future, the Alphans begin an extraordinary journey into the unknown.

Metamorph (50mins)

The inhabitants of Moonbase Alpha encounter the strange planet Psychon and its brilliant but ruthless ruler, Mentor (Brian Blessed).

When Maya, Mentor's daughter, joins the Alphans, they discover her extraordinary ability to transform into any living creature.

But as Mentor pursues his own dangerous ambitions, Maya and the crew must fight to protect both Alpha and the future of her people.

A Japanese couple stuck with part-time jobs and hence inadequate incomes avail themselves of the fruits of shoplifting to make ends meet. They are not alone in this behaviour. The younger and the older of the household are in on the act. The unusual routine is about to change from care-free and matter-of-fact to something more dramatic, however, as the couple open their doors to a beleaguered teenager. The reasons for the family and friends' habit and their motivations come under the microscope.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

Shakespeare as you’ve never seen it before: a vivid, visceral adaptation of Macbeth, Akira Kurosawa’s Throne of Blood transports the medieval Scottish story of royal blood to the ghostly lands of feudal Japan, recruiting Toshiro Mifune for the role of the hardened warrior who rises violently to power. Pulling the strings behind him is his ruthless wife, who urges him to assassinate the country’s monarch and begins a chain of events responsible for a madness that takes hold of them both.

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

After serving a 14-year prison sentence, Max Cady (Robert De Niro) is released – and revenge is on his mind.

His attorney, family man Sam Bowden (Nick Nolte), knowingly withheld evidence that would acquit Max of rape charges.

Having learned about Sam's deceit, Max devotes his life to destroying the Bowden family – and Sam soon learns that he must act outside the law to protect his wife (Jessica Lange) and teenage daughter (Juliette Lewis).

Martin Scorsese cranks up the tension in his remake of the classic 1962 thriller: a lurid, tension-laden shocker with De Niro at his most terrifying.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

Join us for a relaxed screening of Pressure.

In the tense 72 hours before D-Day, and the fate of the free world hanging in the balance, PRESSURE follows General Dwight D. Eisenhower and Captain James Stagg as they face an impossible choice—launch the largest and most dangerous invasion in history or risk losing the war altogether.

Relaxed screenings are designed to make cinema-going easier for those needing additional support, including neurodivergent audiences and those living with dementia.

A Japanese couple stuck with part-time jobs and hence inadequate incomes avail themselves of the fruits of shoplifting to make ends meet. They are not alone in this behaviour. The younger and the older of the household are in on the act. The unusual routine is about to change from care-free and matter-of-fact to something more dramatic, however, as the couple open their doors to a beleaguered teenager. The reasons for the family and friends' habit and their motivations come under the microscope.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

Maria, a primary school teacher doing her best to inspire a class of 10-year-olds, is stifled by one unruly and chaotic student.

With her career in question and the child's behaviour spiralling, she makes a series of bad decisions that lead to her accidentally taking and locking this "bad apple" in her home.

Maria tries desperately to backtrack, but when the class starts flourishing and the staff and parents are thrilled with the improvement, she finds herself in a very complicated predicament.

In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings “arrangements”, “harmonies” and “nocturnes”, emphasizing the importance of tonal harmony in his work.

His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art.

Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.Book to win! Book to see Exhibition on Screen: James McNeill Whistler at Picturehouse and you could win a bundle of merch from the Tate Shop. Find out more here.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

The Gruffalo is the bestselling and well-loved picture book written by Julia Donaldson and illustrated by Axel Scheffler. They are the UK’s #1 author and #1 illustrator respectively (2023). The Gruffalo was first published in March 1999 and the sequel, The Gruffalo’s Child, followed in 2004.

The original picture book stories have now sold 18.2 million copies worldwide and are translated into 107 languages and dialects. The Oscar-nominated animated adaptation The Gruffalo (produced by Magic Light in 2009) took this wonderful story to homes and cinemas around the UK.

Voted the nation's favourite bedtime story, the magical tale of a plucky mouse who takes a walk through the woods in search of a nut is brought to enchanting life in an all-star adaptation of Julia Donaldson and Axel Scheffler's bestselling book. This beautifully animated, BAFTA-nominated treat features the vocal talents of Robbie Coltrane as The Gruffalo, Helena Bonham Carter as the narrator, Rob Brydon as the Snake and James Corden as the Mouse. Join us to take a walk in a deep, dark wood…

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).

Olivier and Tony® Award winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.

Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path.

Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.

Don’t Look Back In Anger charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world.

The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.

Steven Knight says, “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation. ‘Don’t Look Back In Anger’ is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.”

Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK.

DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.

Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.

The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection.

But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

On a remote Orkney island, siblings Isla and Sandy (Gayle Rankin, Grant O’Rourke) have lived a totally normal life for decades: hunting seabirds, chatting to mythic creatures and defending their isle from dreaded 'Incomers'.

Their world is upended with the arrival of Daniel (Domhnall Gleeson), an awkward council worker, come to uproot them to the mainland.

Together, the trio are forced to confront the truth about their respective isolation.

This film is rated 15, which means nobody under the age of 15 can be admitted. We may require you to prove your age with appropriate photographic ID.

This film is rated 15, which means nobody under the age of 15 can be admitted.

We may require you to prove your age with appropriate photographic ID.

Christopher Nolan’s The Odyssey – the follow-up to 2023’s Academy Award-winning phenomenon Oppenheimer – transforms Homer’s foundational saga into a boundary-pushing cinematic epic blending action and myth.

Its story follows battle-worn Odysseus (Matt Damon), the King of Ithaca, and his decade-long journey home after the Trojan War – to reunite with his loyal, iron-willed Queen Penelope (Anne Hathaway) and their devoted son, Telemachus (Tom Holland).

What unfurls is a thrilling adventure tale of gods and monsters, as Odysseus and his warriors face tests of courage, valour and endurance if they are to return home.

Contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy

See The Odyssey in 70mm

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Inspired by the stories of Bourdain's 2000 memoir Kitchen Confidential, directed by Matt Johnson (Nirvanna The Band The Show The Movie, BlackBerry).